José Parlá
LLB Auction has offered 3 lots by José Parlá since May 2025 and sold 2 of them for hammer prices from €600 to €982.
The house emails you when a lot by José Parlá enters a catalogue.
- Lifespan
- Born 1973
- Lots sold
- 2/3
- Share sold
- 67%
- Record hammer
- €982
- Median hammer
- €600
Lots at LLB Auction (3)
Seeing in Phosphene, 2023, 2023
Print
Contemporary Art Spring 2025, May 2025
Hammer €982
Seeing in Phosphene, 2023
UV pigment print with matte varnish screen printing on Somerset Tub Sized Radiant White paper
The August Edit, August 2026
Hammer €600
Painting Moving in Step with the Times, 2021
Collage, acrylic, enamel, ink and plaster on canvas
The August Edit, August 2026
Not sold
Estimate €30,000 to €60,000
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What is a work by José Parlá worth?
At LLB Auction, works by José Parlá have reached hammer prices from €600 to €982. The median of the 2 lots sold is €600.
The record is €982 for Seeing in Phosphene, 2023, in the sale Contemporary Art Spring 2025 of 18 May 2025.
Hammer prices by medium
| Medium | Offered | Sold | Lowest hammer | Median hammer | Highest hammer |
|---|---|---|---|---|---|
| Collage, Acrylic, Enamel, Ink And Plaster On Canvas | 1 | 0 | No sale | No sale | No sale |
| 1 | 1 | €982 | €982 | €982 | |
| UV Pigment Print With Matte Varnish Screen Printing On Somerset Tub Sized Radiant White Paper | 1 | 1 | €600 | €600 | €600 |
What sets the price of a work by José Parlá?
Hammer prices reached on average 0.99 times the low estimate, and 0 of the 2 lots sold went above their high estimate.
How is a work by José Parlá authenticated?
LLB Auction examines every work in person before it is offered. Send the certificate, the invoice and any document of provenance with your photos. Lyna Brahami reviews them with the work.
How do I sell a work by José Parlá?
LLB Auction handles the sale from the first photo to the payment:
- Free valuation from your photos by Lyna Brahami, within 48 working hours.
- Consignment: the contract, the agreed reserve and the commission.
- Photography, research and cataloguing by the house.
- The online sale on llb-auction.com and on Interenchères.
- The buyer pays the house.
- The house settles you with a statement.
- The result is published in the house’s results.
Questions about José Parlá at LLB Auction
How many works by José Parlá has LLB Auction sold?
Between May 2025 and August 2026, LLB Auction sold 2 of the 3 lots by José Parlá it offered (67%).
What is the record price for José Parlá at LLB Auction?
The record is €982 for Seeing in Phosphene, 2023, in the sale Contemporary Art Spring 2025 of 18 May 2025, against an estimate of €1,000 to €1,500.
What does a work by José Parlá usually sell for at LLB Auction?
The median hammer price is €600 across 2 lots sold.
Do works by José Parlá sell above their estimate at LLB Auction?
0 of the 2 lots sold went above their high estimate. On average the hammer reached 0.99 times the low estimate.
Do these prices include the buyer’s premium?
The prices on this page are hammer prices, before the buyer’s premium and VAT. The results page of each sale gives the price with premium of every lot sold.
How do I get a valuation of a work by José Parlá?
Send photos of the work, of its signature and of any certificate through the valuation form. Lyna Brahami compares it with the results of José Parlá at the house and replies free of charge within 48 working hours.
About José Parlá
José Parlá is a Cuban-American contemporary artist based in Brooklyn, New York. Parlá creates paintings and multidisciplinary works inspired by his interest in memory, identity, migration, and the passage of time through the visual language of accumulated urban surfaces.Critics have interpreted these techniques as engaging with questions of language, politics and the meaning of place and public space.
Read the full biography
Life and contemporary practice
José Parlá is a United States artist born in 1973. He works as a contemporary artist whose practice centers on painting and multidisciplinary works. His output draws on themes of memory, identity, migration, and the passage of time, expressed through visual languages that reference accumulated urban surfaces. Critics have noted that his techniques engage with questions of language, politics, and the meaning of place and public space. Parlá is based in Brooklyn, New York, and his work reflects an ongoing investigation into how surfaces record human presence and activity over time. His approach to painting incorporates layered marks and textures that evoke weathered walls, graffiti, and the palimpsest quality of city environments where successive generations leave their traces.
Paintings and multidisciplinary works in the market
Parlá's work appears in the saleroom primarily as paintings, though his practice extends to multidisciplinary projects that may include installation elements or works on paper. Paintings by Parlá vary in scale, from smaller canvases suitable for private collectors to large statement pieces that command wall space. The support for his paintings is typically canvas, though he has worked on other surfaces that allow for the layered, textural application of paint that defines his visual language. Unique paintings generally achieve higher results than editioned works or studies, as is standard across the contemporary art market. The complexity of a given piece, the density of its layering, and the period in which it was created all influence its position within the artist's hierarchy of work. Larger canvases with fully realized compositions tend to be valued above smaller or less developed examples. Collectors and specialists distinguish between finished paintings intended for exhibition and preparatory works or sketches, which occupy a different tier in terms of desirability and price.
Evaluating a work by José Parlá
When a specialist examines a work attributed to José Parlá, several factors determine its authenticity and market value. The medium is a primary consideration: oil, acrylic, spray paint, and mixed media are all materials Parlá employs, and the specific combination affects both the visual impact and the conservation requirements of a piece. The period of creation matters, as an artist's work evolves over decades, and certain phases may be more sought after than others. Signature and any inscriptions on the front or verso of the canvas provide essential evidence of authorship. The condition of the surface is critical, given that Parlá's technique involves built up layers that can be vulnerable to flaking or other damage if not properly maintained. Any restoration or inpainting must be disclosed. Provenance is equally important: documentation of prior ownership, exhibition history, and any gallery or studio records strengthen confidence in a work's legitimacy. A clear chain of custody from the artist or a reputable gallery to the current owner is ideal. Specialists also consider the scale and ambition of the composition, as well as how representative it is of the artist's recognized style and thematic concerns.
Results at this auction house
This auction house has offered one work by José Parlá, which sold for 982 EUR. Given the limited sample, it is not possible to draw broader conclusions about the artist's performance at this house or to identify trends in collector interest. The single result reflects a specific work at a specific moment and does not represent a pattern of demand. Sellers considering consigning a work by Parlá should be aware that the house's experience with this artist is minimal, and that a valuation will depend on the individual characteristics of the piece in question rather than on an established track record of sales. The result achieved does indicate that there is some level of market activity for Parlá's work, but a single transaction cannot serve as a reliable benchmark for future estimates.
Submitting a work for valuation
A seller wishing to request a valuation for a work by José Parlá should prepare comprehensive documentation before contacting the auction house. Clear, high resolution photographs of the front of the work are essential, showing the full composition in even lighting. Photographs of the back of the canvas or support should capture any labels, stamps, inscriptions, or gallery markings that may be present. A close up image of the signature, if visible, is necessary for authentication purposes. Any labels from galleries, exhibitions, or framing studios should be photographed individually and legibly. The dimensions of the work must be provided, measured in height by width and, if relevant, depth, and specified in centimeters or inches. Any accompanying paperwork strengthens a submission: invoices, certificates, exhibition catalogues, or correspondence with galleries or the artist. Condition reports from conservators, if available, are useful. Provenance information, including the history of ownership and any public exhibitions, should be summarized in writing. This documentation allows specialists to assess the work accurately and provide a realistic estimate of its potential at auction.
Related artists and open lots
Comparable price band
€600 to €982
This band holds the middle half of the hammer prices this artist has realised at the house. A work of comparable quality has most often sold within it.
Selling a work by José Parlá?
Lyna Brahami values your work free of charge from your photos and replies within 48 working hours.
Sources of the biographical facts
- Wikidata (Q6293666) (CC0), retrieved 30 August 2026
- wikipedia (CC BY-SA 4.0), retrieved 30 August 2026
LLB Auction hammer prices exclude the buyer’s premium and VAT. They cover only the lots this house has offered.